As we engage in the dichotomies of existence, the rhetoric between
substance, essence and fate compels us into asking what is abstract;
what is solid; what is common and what is particular. This discourse
moves back and forth between the humanities and the sciences,
constantly shedding and reconstructing subtle layers.
Arguably, what is most incongruous in this discourse is what is most
convergent within it; communication. Using a pure language, this work
locks together geometry, faith and beauty, pushing the boundaries of
what we know, how we know it and how it is perceived.
Lulwah Al Homoud
September 1, 2019
