Exhibitions

The body of work produced for Terra Un(firma) is divided into two segments, The Living and The Land, which take the artist’s personal narratives and feminist outlook as a starting point from which to explore issues faced by women, across cultures, in the contemporary moment. The Living is a reflection upon the artist’s complex and conflicting internal (psychological) and external (social) worlds.

As a dual marginal existing within a liminal space Shihadi navigates the clashes between individuality and responsibility that comprise contemporary womanhood in her society and extend towards women, globally, who face discrimination, marginalisation, identity crisis and other multi-faceted gendered issues.

The selected works for The Land turn towards the physical space and natural environment as a site of connection, displacement and contestation, which the artist conflates with notions of the home, family and collective identity. Each large-scale work selected for the exhibition has been painstakingly produced over several months. Shihadi’s work oscillates between classical-figurative realism, which dutifully captures and records that which surrounds her and fantastical surrealism that draws from the artist’spreoccupations with mysticism. Shihadi employs a dramatic approach to hyperrealism sketching using chiaroscuro to form a magical reality which blends both fiction and fantasy. Symbolism - religious, ritualistic, political, and cultural - is interwoven into much of Shihadi’s work, forming complex layers that the viewer must unpack in order to absorb deeper meanings.