Tagreed Darghouth Lebanese, b. 1979
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Biography
Tagreed Darghouth is a Lebanese painter whose practice engages pressing social and political realities through a sustained and research-driven visual language. Her work reflects on structural forms of violence, contested identities and the shifting socio-cultural landscapes of Lebanon and the broader Middle East, often bringing into view how everyday experience intersects with histories of conflict, displacement and power. Across her practice, Darghouth connects lived realities with wider intellectual, cultural and historical reference points, articulating a rich, multifaceted engagement with contemporary life.
Born in Saida, Lebanon, in 1979, Darghouth completed diplomas in Painting and Art Education at the Lebanese University and the Lebanese Teachers Institution in 2000. That same year and the next, she participated in the Ayloul Summer Academy for young Arab artists at Darat al-Funun in Amman, led by the Syrian modernist Marwan Kassab Bashi, a formative influence on her early development. In 2002, she moved to Paris to study Space Art at the École nationale supérieure des arts décoratifs, returning to Lebanon in 2003 and balancing teaching with studio practice until dedicating herself full-time to painting.
Darghouth’s work has been exhibited widely both regionally and internationally, in institutional and gallery contexts spanning the Middle East, Europe and North America. She has participated in major group presentations at the Institut du Monde Arabe (Paris), the Royal College of Art (London), Taymour Grahne Gallery (New York), and exhibitions in Buenos Aires, Istanbul, Dubai, Doha and beyond; her solo exhibitions have been held at institutions including Tabari Artspace (Dubai), Saleh Barakat Gallery (Beirut) and Contemporary Art Platform (Kuwait).
Darghouth has also been recognised with multiple awards, including the first prize at the cm3 competition at the Cité internationale Universitaire de Paris (2003) and the Boghossian Foundation Prize for Young Lebanese Artists (2012). Her work is held in significant public and private collections, including the Barjeel Art Foundation, Dalloul Art Foundation, and Institut du Monde Arabe.
Tagreed lives and works in the UAE.
EDUCATION
2003, Space Art, École Nationale Supérieure des Arts Décoratifs (ENSAD), Paris, France
2000, Superior Studies, Painting and Sculpting, Lebanese University of Fine Art, Beirut, Lebanon; Diploma in Art Education, Teacher's Institution, Beirut, Lebanon
2000-2001, Ayloul's Summer Academy, workshop for young Arab artists at Darat al Funun, directed by the artist Marwan Kassab Bachi, Amman, JordanSOLO EXHIBITIONS
2025, Ballots to Bullets, Gallery MISR, Cairo, Egypt
2024, He Who Gazes At The Sea; The Man and The Land, Saleh Barakat Gallery, Beirut, Lebanon2023, Gardens and Jungles, Tabari Artspace, Dubai, UAE
2022, A City Undisguised; Beirut: No Home No Exile, Cromwell Place, London2020, Toys and Trophies: From Zeus's Pandora to Barbie Doll, Tabari Artspace, Dubai, UAE
2019, Strange Fruit, Tabari Artspace, Dubai, UAE
2018, A Second Coming, BAR (Beirut Art Residency), Beirut, Lebanon
Analogy to Human Life, Saleh Barakat Gallery, Beirut, Lebanon
2016, Ain’t Nowhere to Hide, Contemporary Art Platform ( CAP Kuwait), Kuwait
2014, Vision Machines: Shall You See Me Better Now, Agial Art Gallery, Beirut, Lebanon
2013, Rehearsals, Agial Art Gallery, Beirut, Lebanon
2011, Canticle of Death, Agial Art Gallery, Beirut, Lebanon
2010, Fair & Lovely, Agial Art Gallery, Beirut, Lebanon
2008, Mirror, Mirror!, Agial Art Gallery, Beirut, Lebanon
2006, Falling Parts, Goethe Institute, Beirut, Lebanon
2004, Still Features, Zico House, Beirut, LebanonGROUP EXHIBITIONS
2026, Same Air, Tabari Artspace, Dubai, UAE
2025, Fertile Dreams, Tabari Artspace, UAE
2021, Bodies That Matter, Berlin Art Lab, Berlin, Germany2021, Lights of Lebanon, Institut du Monde Arabe, Paris, France
2019, Ourouba/Arabicity, the Middle East Institute Art Gallery, Washington DC, US, curated by Rose Issa
Walking Through Walls, Gropius Bau Museum, Berlin, GermanyOut of Context, Saleh Barakat Gallery, Beirut, Lebanon2018, Face Value, Saleh Barakat Gallery, Beirut, Lebanon
2017, Our Beloved Bodies II, Barjeel Art Foundation, Sharjah, UAE
100 Chefs d’Oeuvre de l’Art Moderne et Contemporain Arabe, La Collection Barjeel, Institut du Monde Arabe, Paris, France
2016, Betsarof, Lebanese National Library, Beirut, Lebanon
2014, Thin Skin: Six Artists from Beirut, Taymour Grahn Gallery, New York, US
2013, Re-touch, New Paintings from Beirut, Forum for New Arab Art, Art-Lab, Berlin, Germany
L’insondable Surface, French Institute, Beirut, Lebanon
2012, Re-orientation II, Rose Issa Project, London, UK
2011, Subtitled: With Narratives from Lebanon, Royal College of Art, London, UK
Rebirth, Beirut Exhibition Center, Beirut, Lebanon
Residual, Maraya Art Centre, Al Qasba, Sharjah, UAE
2010, Mokhtarat Ministry of Culture and Education, Doha, Qatar
Zoom Contemporary Art Fair, Miami, Florida, USA
Connecting Heavens, Green Art Gallery, Dubai, UAE
10th Anniversary of Kasa Art Gallery, Kasa Galerie, Istanbul, Turkey
2008, Bos Laf, Kasa Gallery, Istanbul, Turkey
AIWA: Aley International Artists Workshop, Aley, Lebanon
2006, Attribute to Senghor, Downtown, Beirut, Lebanon
Arteclassica ,3era. Feria de Arte, Buenos Aires, Argentina
2004, El Bab, Theatre de Beyrouth, Beirut, Lebanon
2003, Cerf Volants Maison du Liban, CIUP, Paris, France
cm3, Cite Internationale Universitaire de Paris, Paris, France
2001, Four Artists, Zara Art Gallery, Amman, Jordan
Ayloul's Summer Academy, Darat al Funoun, Amman, Jordan
ART FAIRS
2025, Art Paris, Saleh Barakat Gallery, Paris, France
2024, Abu Dhabi Art, Tabari Artspace, UAE
2024, Art Dubai, Tabari Artspace, UAE
2023, Art Dubai, Saleh Barakat Gallery, Dubai, UAE2023, Art Paris, Saleh Barakat Gallery, Paris, France2022, Art Karlsruhe, Yvonne Hohner Contemporary, Karlsruhe, Germany2021, Abu Dhabi Art Fair, UAE
2020, Art Dubai, Saleh Barakat Galley, Dubai, UAE
2017, 2018, Art Dubai, Agial Art Gallery, Dubai, UAE
2017, Beirut Art Fair, Agial Art Gallery, Beirut, Lebanon
2016, Art Dubai, Agial Art Gallery, Dubai, UAE
2015, Abu Dhabi Art fair, Agial Art Gallery, Abu Dhabi, UAE
2014, Singapore Art Fair, Lebanese Pavilion, Singapore
2014, Art Dubai, Agial Art Gallery, Dubai, UAE
2013, Beirut Art Fair, Agial Art Gallery, Beirut, Lebanon
2011, Art Dubai, Agial Art Gallery, Dubai, UAE
COLLECTIONS
Barjeel Art Foundation
Imago Mundi Collection
Dalloul Art Foundation
Institut du Monde ArabePRIZES
2012, Boghossian Foundation Prize for Young Lebanese Artists (painting)2003, cm3 exhibition, Cité Internationale Universitaire De Paris, Paris, France (first prize)
2000, Ayloul's Summer Academy (exhibition), Darat al Funoun, Amman, Jordan (second prize)
SELECTED PRESS
2025, The Arab-Italian Connection: How This Boutique Art Hotel in Italy is Supporting Arab Talent, Vogue Arabia
2023, In Dubai, Artist Tagreed Darghouth Paints Her Own Version of War and Peace, Architectural Digest
2023, Exhibition of the Month: Gardens and Jungles, Tagreed Darghouth, Mojeh
2019, Harper's Bazaar, A Visit To Lebanese Artist Tagreed Darghouth's Mar Mikhael Studio In Beirut
2018, The National, Life and death and olive trees: Tagreed Darghouth on her biggest exhibition yet
2017, Financial Times, From war zone to haven: the view from Beirut
2016, Vogue, How Lebanese Artist Tagreed Darghouth Tackles Human Paradoxes
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Works
Tagreed Darghouth Lebanese, b. 1979
To My Father, From Van Gogh's Bouquets, 36, 2022Acrylic on paper21 x 29 cm
8 1/4 x 11 3/8 inExhibitions
Painter, Tagreed Darghouth, uses abstract impressionism and impasto layers applied with gestural brushstrokes to tackle topics concerning structural violence, popular culture, and the marginalised.
For the last two years Darghouth has been preoccupied with parallel concepts which have culminated in three new bodies of work: Beirut Silos, The Explosion and To My Father, From Van Gogh’s Bouquets. Working with acrylic on paper as well as canvas the artist continues her unabashed social commentary, reflecting upon that which she encounters on the streets of Beirut and beyond and ushering it into expressionistic figuration. Darghouth regularly connects far-flung influences from literature, philosophy and music to her personal experiences. For the Beirut Silos series and The Explosion series, the artist meditates upon the catastrophic explosion that took place in Beirut on 4th August 2020 devastating the community.
The Beirut Silos series zones in on the transformation and degradation of the industrial silos that surrounded Beirut’s port during and after the explosion. The To My Father, From Van Gogh’s Bouquets series, pays tribute to Tagreed’s father who loved flowers immensely and is a loose interpretation of Van Gogh’s paintings of roses, flowers, and bouquets. Shortly before Van Gogh's release from the asylum at Saint–Rémy he began to paint roses as a process of healing and means of coming to terms with both his illness and himself. As he entered into the final stages of recovery, he wrote to his brother Theo, that he had "worked as in a frenzy. Great bunches of flowers, violet irises, big bouquets of roses..." The three series - Beirut Silos, The Explosion and To My Father, From Van Gogh’s Bouquets - are untied by Tagreed’s immense feelings of personal and collective loss; loss of her father and also loss of the Lebanon of the past that her father knew and loved.Painter, Tagreed Darghouth, uses abstract impressionism and impasto layers applied with gestural brushstrokes to tackle topics concerning structural violence, popular culture, and the marginalised. For the last two years Darghouth has been preoccupied with parallel concepts which have culminated in three new bodies of work: Beirut Silos, The Explosion and To My Father, From Van Gogh’s Bouquets. Working with acrylic on paper as well as canvas the artist continues her unabashed social commentary, reflecting upon that which she encounters on the streets of Beirut and beyond and ushering it into expressionistic figuration. Darghouth regularly connects far-flung influences from literature, philosophy and music to her personal experiences.
For the Beirut Silos series and The Explosion series, the artist meditates upon the catastrophic explosion that took place in Beirut on 4th August 2020 devastating the community. The Beirut Silos series zones in on the transformation and degradation of the industrial silos that surrounded Beirut’s port during and after the explosion. The To My Father, From Van Gogh’s Bouquets series, pays tribute to Tagreed’s father who loved flowers immensely and is a loose interpretation of Van Gogh’s paintings of roses, flowers, and bouquets. Shortly before Van Gogh's release from the asylum at Saint–Rémy he began to paint roses as a process of healing and means of coming to terms with both his illness and himself. As he entered into the final stages of recovery, he wrote to his brother Theo, that he had "worked as in a frenzy. Great bunches of flowers, violet irises, big bouquets of roses..." The three series - Beirut Silos, The Explosion and To My Father, From Van Gogh’s Bouquets - are untied by Tagreed’s immense feelings of personal and collective loss; loss of her father and also loss of the Lebanon of the past that her father knew and loved.
“He said to me: Sit in the eye of the needle and stay put.
When the thread enters the needle do not grab it, and
do not stretch it. And be happy: for I love only the happy.”
Al-Niffari (the Labyrinth station)
Painting of the Silos is not to depict Beirut’s misery after the Port explosion. The misery has always been there. It bloomed in 1975, withered in 1990, but never died. After the civil war, the Lebanese endured, lived along, and adapted. They also managed to keep the “green line” alive, and eventually make it greener. To each their own, to each their bright side of the city. Beirut, the sad and sadder city in disguise.
With a pre-war staged and pitiful nostalgia, warlords dressed up as politicians, imaginary borderlines, allies, friends and foes, the people followed without a fuss. “The Explosion” was inevitable. Beirut, the city finally protested. Beirut exploded.
Painting the Silos is painting our failures and defeat. The Lebanese self-portrait, that of collapse.
“To My Father, From Van Gogh’s Bouquets” is a tribute to my father who passed away last year. He had hope. While waiting for the war to end, he filled our garden with all sorts of flowers. The war never ended, but those painted flowers carry my father’s hope.
-Tagreed Darghouth 2022
ExhibitionsPress
