Artforum China published Li Weiwei's review of the eighteenth Jogja Biennale on 10 December 2025. The on page headline is 日惹双年展的观看偏移练习, with the kicker 从博物馆走到路边摊.
A dedicated paragraph and installation photograph are given to Clove, 2025, Hashel Al Lamki's textile and sound work made with Yossy Hermans. The critic discusses batik, mending, and knowledge that begins close to the body. The gallery is not named. The site's featured image is another artist's work; this card uses the in article photograph of Clove.
The eighteenth Jogja Biennale, Kawruh, was then on view in Yogyakarta.
The review moves from museums to roadside stalls, and treats Clove as one of the works in which knowledge is close to the body rather than only on a wall. The photograph shows the textile and sound installation in the biennale hang.
Li Weiwei's text is a full exhibition review in Chinese, and the Al Lamki passage is one of the named works around which the argument about looking, mending and bodily knowledge is built.
Tabari represents Hashel Al Lamki.
