Artsy published this editorial by Arun Kakar, dated 4 March 2024, on Art Dubai's growing appeal to collectors from across Asia. The piece is a broad fair report built around booths and buying trends across several of the fair's sections, including its Digital section, rather than a profile of any single artist.
In its discussion of the Digital section, the article singles out Tabari Artspace's solo booth of the young Emirati artist Talal Al Najjar as one of the fair's stronger presentations, describing his five-scene CGI video Petro-Ghareebo: NAUSEA, 2023, as "an uncanny exercise in manipulation, translation and defamiliarisation of images." Further down the page, among the article's accompanying photographs, an image captioned Chafa Ghaddar, Wildfire series #60, 2024, Tabari Artspace records a second work from the same booth, though the surrounding text does not describe its materials or subject beyond confirming it was on view.
For Talal Al Najjar, the mention places Petro-Ghareebo: NAUSEA among the fair's most-noted digital presentations that year. Chafa Ghaddar's Wildfire series #60 belongs to the paper-based practice she has developed since Beneath Latent Skies, and its appearance in Artsy's photography records only that the piece was on view and offered at Tabari Artspace's booth at Art Dubai 2024.
