The Financial Times published a feature headlined "Coming out as Palestinian," confirmed from the paper's own posting of the piece; the article sits behind the FT's paywall and could not be opened directly, so its byline and exact publication date could not be independently confirmed, though Tabari Artspace's file dates it to 2024.
The headline and Tabari's own note identify Hazem Harb as a subject of the piece, consistent with his practice of collaging archival photographs, historical maps and family documents to examine Palestinian memory and erasure, work held in the collections of the British Museum and Durham University's Oriental Museum; without the full text, the specific works, quotations or other artists the FT piece discusses cannot be confirmed.
Given the plural framing of the headline, the piece may profile more than one Palestinian artist in this sense, so Julia should check whether any other Tabari roster artist working from a Palestinian context, such as Samah Shihadi or Michael Halak, appears alongside Hazem Harb before this page is built, since that would change both the artists list and the internal links this page should carry.
