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    Open a larger version of the following image in a popup: Sliman Mansour, Al Samoo’ village, 1980
    Open a larger version of the following image in a popup: Sliman Mansour, Al Samoo’ village, 1980
    Open a larger version of the following image in a popup: Sliman Mansour, Al Samoo’ village, 1980

    Sliman Mansour Palestinian , b. 1947

    Al Samoo’ village, 1980
    Acrylic on paper
    51 x 48 x 3 cm
    20 1/8 x 18 7/8 x 1 1/8 in
    Copyright The Artist

    Further images

    • (View a larger image of thumbnail 1 ) Chafa Ghaddar, Your sun that kept setting #27, 2024
    • (View a larger image of thumbnail 2 ) Chafa Ghaddar, Your sun that kept setting #27, 2024
    • (View a larger image of thumbnail 3 ) Chafa Ghaddar, Your sun that kept setting #27, 2024
    View on a Wall

    Literature

    The representation of the village does not function as a reflection of reality but as a discursive response to the historical and political situation. Palestinians employ the image of the village to express particular ideas about the past and their identity, ideas which inform and contour the representation of the village. The images of the village function to mediate reality, often opening up a space of fantasy and imaginings that influence how the past, the present and the future are imagined. The village and peasantry have provided Palestinians with a repository of signs as part of their vocabulary for the articulation of identity, and from this repository Palestinians have created an identity that they have contoured to communicate their relationship with the land.

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